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艺术国际 > 书刊频道 > 《艺术虫》第12期
杂志名称: 《艺术虫》第12期

主办机构: 中国文化出版社
社长: 白倩岚
主编:艾敏鑫
出品人:文文
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本期目录:

  COVER ARTIST|封面艺术家

  REGARD ART AS RELIGION

  把艺术当成信仰

  FOLLOWERS OF THE SPIRITUAL ART

  灵性艺术的信徒

  A SOLEMN WORLD WITH MAGNIFICENT BEAUTY

  ——MEANING OF CHEN

  JIANSHUI’S WATER COLOR

  大美无声 庄严世界——陈坚水彩画的意蕴

  THEMATIC PLANNING|专题策划

  TO SEARCH FOR THE INDEPENDENT SPIRIT

  OF CONTEMPORARY ART IN 2013

  寻找2013年当代艺术的独立精神

  “THE MAXIMUM REPETITION OF CONTEMPORARY ART IS ONLY RESTRICTED TO CONTEMPORARY FEATURE ITSELF”

  ——AN INTERVIEW WITH WANG MINAN

  “当代艺术最显著的特征就是自我重复”——汪民安专访

  INDEPENDENT PRESENCE OF THE TRUE CHINA

  ——AN INTERVIEW WITH CURATOR WANG LIN OF THE PARALLEL EXHIBITION TO BIENNALE EXHIBITION, VENICE, 2013

  自主呈现真实的中国——访2013年威尼斯双年展平行展策展人王林

  NO INDEPENDENCE MEANS

  “EMASCULATION BY ONESELF”

  ——AN INTERVIEW WITH CHENG MEIXIN

  不独立就是“自我阉割”——程美信专访

  “INDEPENDENCE MEANS NO REJECTION”

  ——AN INTERVIEW WITH WANG CHUNCHEN

  “独立不是拒绝”——王春辰专访

  FACING TO THE NEW SITUATION,

  HOW CAN THE “INDEPENDENCE”

  BE REALIZED IN INDEPENDENT FILMS?

  ——AN INTERVIEW WITH DONG BINGFENG

  面对新的问题情境,独立电影如何“独立”?——董冰峰专访

  “INDEPENDENT ROAD”

  OF AN ART MUSEUM

  ——AN INTERVIEW WITH WANG HUANGSHENG

  美术馆的“独立”之路——王璜生专访

  ART APPRECIATION|品味艺术

  INK AND WASH,

  QUESTION OF THE REALITY

  水墨,提问现实

  A DIALOGUE OF THE ART WORM

  WITH WITH WANG JINSONG

  艺术虫对话王劲松

  THE ARTISTIC PRODUCTION AS

  A KIND OF CULTURAL STUDIES

  ——AN INTERVIEW WITH QIU ZHIJIE

  作为文化研究的艺术生产——邱志杰专访

  ROOTING IN REALITY

  AND SURPASSING THE PHYSICAL EXISTENCE

  扎根现实,超越肉身

  A DIALOGUE OF THE ART WORM

  WITH QIU GUANGPING

  艺术虫对话邱光平

  QUESTION THE “ORIGINAL” PERSON

  追问“原在”的人

  A DIALOGUE OF THE ART WORM

  WITH JING SHIJIAN

  艺术虫对话井士剑

  YING TIANQI The 13th Venice International

  ARCHITECTURE BIENNALE RETURNS TO CHINA MOURNING OVER THE RUINS

  废墟之殇——应天齐威尼斯建筑双年展归来

  AN ARTIST VS. AN INTELLECTUAL

  ——WITH AN ART FORM AS SAME

  AS THAT OF HEGONG

  艺术家VS.知识分子——同构于何工

  PROBING INTO THE “GENERAL MEANING” FROM THE “MICRO ” LEVEL

  ——AN INTERVIEW WITH ZHANG XIAOTAO

  从“微观”中探取“普遍性”——张小涛专访

  AESTHETICS OF THE

  CONTEMPORARY DIRGE

  ——AN INDIVIDUAL CASE OF MENG TAO

  当下的哀歌美学——孟涛作为个案

  A DIALOGUE OF THE ART

  WORM WITH MENG TAO

  艺术虫对话孟涛

  THE MUSIC SPACE OF AN ABSTRACT ART

  抽象艺术的音乐空间

  “SELF”IS REFLECTED IN THE INK AND WASH SCENERY

  水墨风景召唤的“自我”

  “ORIENTATION FEATURE” IS MAINLY REFLECTED IN MY DRAWINGS

  ——AN INTERVIEW WITH LU CHUNTAO

  “东方性”是我的内核——陆春涛专访

  THE SECRET OF DEPICTING LIFE

  独蹈于生活之谜

  INK SPIRIT OF AN OUTLIER

  “局外人”的水墨精神

  INDEPENDENT SPIRIT OF CONTEMPORARYERA:FROM TRANSBOUNDANY TO UNBOUNDED

  ——A DIALOGUE OF THE ART WORM WITH BAIRUI

  独立精神的当代体现:从跨界到无界——艺术虫对话当代水墨艺术家柏瑞

  A DIALOGUE OF THE ART

  WORM WITH LIU JUN

  艺术虫对话刘军

  DANCE & MUSIC | 舞蹈&音乐

  MIME THE KID 2

  × 40 YEARS OF SILENCE WORLD

  默剧《寻子记2》×《无声世界四十年》

  FRENCH MIME: PHILIPPE BIZOT

  法国默剧大师 菲利普比佐

  THE KID 2

  默剧《寻子遇仙记后传》

  40 YEARS OF SILENCE

  默剧《无声世界四十年》

  A SUBJECTIVE VIEW WITHOUT

  CONSIDERING PERSONAL INTERESTS

  ——AN INTERVIEW WITH JIANGZHI

  “无我的主观”——蒋志专访

  REVIEW AND COMMENT|先锋时评

  RETURN TO A VISUAL STYLE

  回归一种视觉观的方式

  IN TERMS OF

  THE VISUAL RETURN

  关于视觉回归

  RETURN OF

  DEDICATION SPIRIT

  奉献精神的回归

  UNCONFINED MEANING OF THE PAINTING

  无解的绘画

  EXHIBITION REVIEW|展评

  EXHIBITION|展览

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